Reaching 100 (Or The End of an Era) at Parker’s Box, Williamsburg, NY

"Reaching 100" opening at Parker's Box
Entrance to, Reaching 100, with paintings by Philippe Nuell. Photo by Etienne Frossard. Courtesy of Parker’s Box NY

Reaching 100 (Or The End of an Era)
13 April – 5 May 2013
at Parker’s Box, Williamsburg, NY

Artists: Ophir Agassi, Beatriz Barral, Virginie Barré, John Bjerklie, Matt Blackwell, Willard Boepple, Steven Brower, Denis Castellas, Jason Glasser, Patrick Martinez, Philippe Nuell, Bruno Peinado, Mike Rogers, Stefan Sehler, Joshua Stern

This exhibition is dedicated to Nancy Grumbacher (1946-2013)

This will be the gallery’s one hundredth exhibition since it opened its doors in June 2000, and it will be the last in the gallery’s original location on Grand Street in Williamsburg. We hope to re-emerge somewhere soon with a new model, new energy and new ways to promote the best experimental contemporary art.

Parker’s Box has always endeavored to curate challenging exhibitions often involving exploration of some of the more rarefied regions of contemporary art practice, whether in painting, sculpture, video, installation etc. As a commercial gallery, Parker’s Box has always taken pride in making no concessions to that status, in favor of allowing artists a platform of complete freedom on which to experiment.
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Brooklyn/Montréal goes stateside


 

From October to November 2012, Montreal hosted the first installment of “Montreal/Brooklyn”, initiating an exchange in visual art events between the two titled cities, thus capturing important media and audience attention towards the art scene of the Quebecois metropolis. In an interview with M-KOS, Montreal coordinators Claudine Khelil and Yann Pocreau mention their delight at all the positive feedback received in Montreal, but remain alert for the final chapter of the project that is yet to come, over to the state side of the border. As it is now Brooklyn’s turn to host the next part of this event, indicated by the reversed title (Brooklyn/Montreal), the categorical test for Montreal artists will be about how they are received by New Yorkers, their critics as much as their art enthusiasts. Will there be any buzz?
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