Art Marathon: Frieze New York 2013 [Slide Show, Part 2]

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Sculpture Park, Fiona Connor, Style Guide Spa (2013) presented by Hopkinson Cundy, Auckland.

Sculpture Garden, Pae White, Briquettes and Suport: Fox, Bird, Owl, Turtle, Frog (2003), presented by greengrassi, London; Andrew Kreps Gallery, NY; kaufmann repetto, Milan

Raqs Media Collective, Waiting (2013) at Project 88, Mumbai

Slavs and Tatar at The Third Line, Dubai

Slavs and Tatar at The Third Line, Dubai

Jonathan Monk, The Holy Trinity (2012) at Taro Nasu, Tokyo

Mircea Cantor at T293, Naples + Rome

David Raymond Conroy at Seventeen, London

Kendall Geers, Mounthing off (1993) at Galerie Rudolphe Janssen, Brussels

At A Gentil Carioca's booth

Shimabuku, Onion Onion (2008) at Air de Paris, Paris

Jiří Kovanda, Real Situation (2010) at gb agency, Paris

Tony Feher, Swel (2013) at Sikkema Jenkins & Co. NY

Ernesto Neto, Splasmiopylea (2003) ay Tanya Bonakdar Gallery, NY

Haegue Yang (Bright Quest (2012) at dépendance, Brussels

Zander Blom at Stevenson, Cape Town + Johannesburg

Aleksey Kallima, Unnamed Hill (2008) at Regina Gallery, Moscow

Bernardo Ortiz, Untitled (2020-2013) at Casas Riegner, Bogotá

Valeska Soares, Finale (2013) at Galeria Fortes Vilaça, São Paulo

Joan Jonas, Untitled at Yvon Lambert, Paris

Simon Dybbroe Meller, Way of Man (Diskman) (2013) at Laura Bartlett Gallery, London

Chris Evans at Juliette Jongma, Amsterdam

Catherine Sullivan and Valerie Snobeck, Limited Good 4 & 5 (2013 at Galerie Catherine Bastide, Brussels

Renee So at Kate MacGarry, London

Sara VanDerBeek at Altman Siegel, San Francisco

Andrea Rosen Gallery (NY) Booth

Cornelia Parker at Frith Street Gallery, London

Lynda Benglis, Wing (1970) at Cheim & Read, NY

Kendell Geers, Foiled 42 & 49 (2011) at Galleria Continua

Kendell Geers, Foiled 49 (2011) at Galleria Continua

Isa Genzken at Galerie Buchholz, Berlin/Cologne

Scott Myles, More, More, More (2013) at The Modern Institute, Glasgow

Thomas Ruff at David Zwirner, NY/London

Dirk Stewen at Galerie Karin Guenther, Hamburg

Dirk Stewen at Galerie Karin Guenther, Hamburg

Meschac Gaba at In Situ/Fabienne Leciere, Paris

Heim Steinbach, Untitled (sneakers) (2013; Mark Manders, Head with Yellow Vertical (2010–2011); Thomas Scheibitz, -AIDA- (2013) at Tanya Bonakdar Gallery, NY

Djordje Ozbolt, Les objects mystique plastique (2013) at Herald St, London

Steilos Faitakis at The Breeder, Athens/Monaco

Steven Claydon at Sadie Coles HQ, London

Limoncello (London) Booth. Courtesy Limoncello, London

Kukuje Gallery Seoul/ Tne Kim Gallery, NY

Sculpture Park, Saint Clair Cemin, Fotini (2013), presented by Paul Kasmin Gallery, NY

All photos by M-KOS except where mentioned.

Art Marathon: Frieze New York 2013 [Slide Show, Part 1]

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Jack Early at McCaffrey Fine Art, New York

Jack Early, WWJD (2012) at McCaffrey Fine Art, New York

Henry Taylor at Untitled, New York

Jack Pierson, Dru Gealers and Movie Stars (2012) at Regan Progects, LA

Jonathan Horowitz, Rainbow American Flag 1967/2013 for Jasper in the Style of the Artist's Boyfriend (2013) at Sadie Coles HQ, London

Pedro Reyes, Disarm (Xylophone III), 2013 at Lisson Gallery, Lonon/Milan/NY

Ana Mendieta, Untitled (Self Portrait with Blood), 1973 at Galerie Lelong, NY

Penny Slinger, Under Lock and Key (Headboxes), 1971/2013, at Broadway 1602, NY

Gillian Wearing, Me as a mask (2013 at Maureen Paley, London

Marina Abramovic & Ulay, AAA-AAA (1997/2006) at Galerie Krinzinger, Vienna

Nick Cave, Soundsuit (2011) at Jack Shainman Gallery, NY

Nick Cave, Soundsuit (2011) at Jack Shainman Gallery, NY

Javier Téllez, Neither More nor Less (2013) at Galerie Peter Kilchmann, Zürich

Jeppe Hein, Me and the surroundings (2013) at 303 Gallery, NY

Pae White at greengrassi, London

Thea Djordjadze, Untitled (2013) at Sprüth Magers, london/Berlin

Dianna Molzan, Untitled (2013) at Overduin and Kite, LA

Rosey Keyser at Peter Blum Gallery, New York

Newell Harry Untitled (HEAT/HATE/MEAT/MATE) 2013 at Roslyn Oxley9 Gallery, Sydney

Gilbert & George, ATTACK (2011) at Alfonso Artiaco, Naples

Iran do Espîrito Santo, Restless 18 (2004) at Sean Kelly Gallery, NY

Alexandre da Cunha, Mix (Ameriana), 2013 at CRG Gallery, NY

Tom Friedman, Being (2009) at Stephen Friedman Gallery, London

Davis Altmejd, Untitled (2012) at Xavier Hufkens, Brussels

Paul McCarthy, Balloon Dog (2013) at Hauser & Wirth

Fiona Connor at Hopkinson Cundy, Auckland

Gabriel Kuri, Untitled polling table (Consumed breakfast), 2013 at Esther Schipper, Berlin

Magali Reus, Parking (Shade), 2013 at The Approach, London

White Column (NY) Booth

47 Canal (NY) Booth

Marianne Boesky Gallery (NY) booth

Pieter Schoolwerth, Shadows Past (2013) at Miguel Abru Gallery, NY

Phillip Allen, Delusions provide solutions (The right version), 2013 at Kerlin Gallery, Dublin

Lisa Lou, Almost Home (2009–2011) at LM Arts, LA

Liz Magor, Alberta/Quebec (2013) at Catriona Jeffries, Vancouver

Rudolf Polanszky at Ancient & Modrn, London

Antek Walczak at Real Fine Arts, NY

Thomas Fougeirol at Praz-Delavallade, Paris

Apostolos Georgiou at Rodeo, Istanbul

Patricia Leite at Mendes Wood, São Paulo

Galerie Francesca Pia (Zürich) booth

Alicja Kwade, Heavy Weight of Light (2012) at Johann König, Berlin

Karma international (Zürich) Booth

Jason McElheny, Frozen Structure (2008) at White Cube, London/HK/Sao Paulo

Kaufmann Repetto (Milan) aBooth

Mehdi Chouakri (Berlin) Booth

Printed Matter Inc. (NY) Booth

On the bus to/from Frieze

All photos by M-KOS

Frieze New York 2013: Winning over the American Sensibility

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North Entrance at Frieze New York 2013. Photo by M-KOS

Frieze New York closed on Monday 13 May to finish another buoyant edition in its short but very auspicious two-year history. Claiming the Deutsche Bank sponsored event is setting a new standard for cultural tourism in the Big Apple would raise more than one eyebrow, as Frieze functions so differently to fairs and biennales in non-hub cities. It nevertheless has shaken and stirred other contenders off their laurels, such as Armory, and certainly Frieze’s choice of location added Randall’s Island on the art map – a patch of land floating between East Harlem, Brooklyn and the Bronx normally used for music or sporting events – to simultaneously allow art lovers to experience another view of New York’s cityscape on their journey to one of the most exciting shows on the international art calendar.
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Erin Shirreff “Day is Long” at Lisa Cooley, New York

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Image courtesy of Lisa Cooley, New york

Erin Shirreff
Day is Long

5 May – 16 June 2013
at Lisa Cooley, New York

For the past few years, Shirreff has explored the effect of mediation on our experience of form. In works that draw together the mediums of photography, sculpture, and video, she has explored how the body responds to moments that are largely imagined, and the uncertainty at the root of knowing something that has transpired in a time or place other than our own.
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The Painting Project: A Snapshot of Painting in Canada at Galerie de l’UQAM, Montréal

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© Christine Major, Crash Theory II, 2013, acrylic on canvas, 284,5 x 213,4 cm Photo : Guy L’Heureux. Courtesy Galerie Donald Browne, Montreal

The Painting Project:
A Snapshot of Painting in Canada

at Galerie de l’UQAM, Montréal

Curator and Coordinator: Julie Bélisle
General Curator: Louise Déry

Part 1:
1 May – 1 June 2013

Part 2:
7 June – 6 July 2013
Opening and Announcement of the Virtual Exhibition on Thursday 6 June 2013, 18h00

Unique for the diversity of recent works on display, The Painting Project: A Snapshot of Painting in Canada testifies to the intense activity taking place in painters’ studios all across Canada. The works by 60 artists were selected after two years of research. The project also includes a virtual exhibition, which will be launched in fall 2013 to give the national and international public access to a lively, prolific art scene.

The entire process of preparing The Painting Project – its unusual depth and scope, measure of risk, methodological difficulties and complex logistics – confirmed our hunch that such an initiative was essential, for it would enable the generation of new knowledge and provide an updated view of Canadian painting as it is being practised at the present time. Read more »

Ciprian Muresan “All that work for nothing! That’s what I try to do all the time!” at Galeria Plan B, Berlin

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Image courtesy of the artist and Galeria Plan B, Berlin/Cluj

Ciprian Muresan
All that work for nothing! That’s what I try to do all the time!

26 April – 1 June 2013
at Galeria Plan B, Berlin

“We have been somewhat reluctantly learning that art does not go anywhere, really; instead it dances attractively in the whirlpool of circular time. Widespread referentiality in contemporary art finds justification in that. Since the beginning of his career, the Romanian artist Ciprian Muresan has been particularly generous to gallery goers (and commentators) by often pushing his references into their face. He approaches iconic figures and images of mainstream discourses of art with the profanity of a street urchin, masking his deeper interest in philosophical paradoxes.

The four works, new or recent, on display in the exhibition all have to do with frustration. Scented with the trademark irony of the artist, they disrupt the processes of perception and reflection creating a minimalist adventure park with tasks flirting with the impossible.
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Opportunities: Master Artist-in-Residence program at Atlantic Center for the Arts, New Smyrna Beach, FL

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Courtesy Atlantic Center for the Arts

Call for submission
Master Artist-in-Residence Program
Residency Number: 151
Dates: 14 October – 3 November 2013
at Atlantic Center for the Arts

Application Deadline: Sunday 19 May 2013

Master Artist Roster for Residency #151:
– Charles Atlas (video artist)
– Martin Bresnick (Composer)
– Mark Doty (poetry/memoir)

Atlantic Center for the Arts is an innovative nonprofit artists-in-residence program that provides artists with an opportunity to work and collaborate with some of the world’s masters in the visual, literary, and performing arts. Since the program began in 1982, over 3500 artists have been served from the US and around the world.
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Remembering Gordon Matta-Clark: “Food” and how the cutting pieces began

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Tina Girouard, Carol Goodden and Gordon Matta-Clark in front of Food, 1971; Photo: Richard Landry with alteration by Gordon Matta-Clark. Courtesy Estate of Gordon Matta-Clark / David Zwirner, New York

The second edition of Frieze New York (10 – 13 May) will organize a special tribute to FOOD, the legendary restaurant opened in October 1971 by Gordon Matta-Clark and Carol Goodden in collaboration with other artists. This is a part of Frieze Projects paying homage to artist-run spaces and initiatives that have defined and transformed the cultural and artistic history of New York City. Below is an excerpt from Joan Simon’s interview with Carol Goodden in the exhibition catalogue “Gordon Matta-Clark: A Retrospective”, Museum of Contemporary Art, Chicago, 1985.*
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Etienne Chambaud “The Naked Parrot” at Labor, Mexico City

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Etienne Chambaud, The Naked Parrot, 2013. Installation view. Courtesy the artist and Labor, Mexico City

Etienne Chambaud
The Naked Parrot

9 April – 1 June 2013
at Labor, Mexico City

The Naked Parrot, the first addressee of the eponymous exhibition at Labor, is a modern chimera, a being fully constructed from the outside. Here this construction is not based on mythological grounds or scales, but on the very process of creation of figures that we inherited from modern machines such as the zoo and the museum. Domestication and conservation are indeed stitching techniques that endlessly attempt to heal the wound of the cuts their very existences are based on. The Naked Parrot is thus an assemblage of exogenous intentions collapsing on their sutured understandings and misunderstandings: the idea of a human talking animal in a falling pigeonhole.
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Newslinks

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Gordon Matta-Clark with camera at Food restaurant, 1972. Photo by Cosmos Andrew Sarchiapone. via Mousse

■ The second edition of Frieze New York is kicking off on 10 May. Part of this year’s project includes a tribute to artist-run spaces and initiatives that have defined and transformed the cultural and artistic history of New York City. While Frieze New York 2012 acknowledged the contribution of Fashion Moda with a presentation of John Ahearn’s work, the fair is this year organizing homage to FOOD, the legendary restaurant opened in October 1971 by Gordon Matta-Clark and Carol Goodden in collaboration with other artists.
Read more »