Posted on

Tauba Auerbach “Tetrachromat” at WIELS, Brussels

WIELS_Tauba-Auerbach-Tetrachromat_3_564
Tauba Auerbach: RGB Colorspace Atlas Volume 3, 2011. Digital offset printing on mohawk superfine paper, 3200 pages, linen, binder’s board, acrylic paint. Edition of 3. 20.3 x 20.3 x 20.3 cm (closed). Binding: Daniel E. Kelm and Leah H. Purcell at the Wide Awake Garage in Easthampton, Massachusetts. Courtesy of the artist. Photo: Vegard Kleven.

Tauba Auerbach
Tetrachromat
22 March – 2 June 2013
at WIELS, Brussels

Tauba Auerbach is considered one of the most innovative painters of our time. Her work collapses traditional distinctions between image, dimensionality and content. Surface and the larger issues surrounding topology have been central concerns in her recent paintings, drawings, photographs and artist books.
Continue reading “Tauba Auerbach “Tetrachromat” at WIELS, Brussels”

Posted on

Felipe Cama “Autorretratos Estatísticos” at Galeria Leme, São Paulo


Felipe Cama, Trilhas 1-40, 2012. Inkjet on cotton paper. Courtesy the artist and Galeria Leme

Felipe Cama
Autorretratos Estatísticos
4 October – 10 November 2012
at Galleria Leme, São Paulo

In his second solo exhibition at Galeria Leme, Felipe Cama presents abstract self-portraits shaped by mathematic precision.
Continue reading “Felipe Cama “Autorretratos Estatísticos” at Galeria Leme, São Paulo”

Posted on

Art Marathon: PAPIER 12


Shayne Dark’s sculptures, Critical Mass welcome the audience at the entrance of the fair.

PAPIER offers a refreshing aspect to the widening proliferation of art fairs by featuring works exclusively produced on paper, from drawings to prints as well as photography. This year the PAPIER fair hosted its fifth edition on 13–15 April, setting up its showroom tent at the heart of Montreal’s cultural quarter to accommodate 38 exhibitors from Montreal, Quebec, Toronto, Ottawa and Halifax. Many of these were already members of AGAC (Contemporary Art Galleries Association), which organized the event. Although PAPIER started as an internally guarded affair, servicing only a small circle of local galleries, its reputation has been progressively expanding. From last year, some of the best Toronto galleries such as Birch Libralato and Susan Hobbs also joined in. In this edition over 400 emerging to established artists were represented, to attract more than 10,000 visitors with a total sale of approximately CA$700,000. The slightly higher income over last year included purchases from returning corporate collectors such as Loto-Quebec, Hydro-Quebec, Cirque du Soleil and so on.
Continue reading “Art Marathon: PAPIER 12”