Art Marathon: The Armory Show 2012, part 1

With the stars and stripes sailing in the wind against the cloudless sky, a proud and powerful symbol high atop the venue for one of the largest art fairs in the world, the 14th edition of Armory Show is showing no fear from its looming competitor, as the first New York showcase of British fair mongers Frieze are threatening to impose their dominance in May. This year the Armory fair revived its old image when totally redesigning their long time venues Pier 92 & 94 and decreased their number of exhibitors (228 instead of 274 in 2011) that include Focus: Nordic bringing in a touch of Scandinavia. Armory 2012 has reported a huge turn up of visitors (more than 60,000) and many galleries had impressive sales results. Same as usual then? NY contributor Sebastian Kaempf visited the fair to bring M-KOS readers a visual sampler of the action on site.


German artist Michael Reidel’s solo presentation at David Zwirner’s booth. All his work was sold out within 30 minutes of VIP preview.
 
 

Cindy Sherman’s 1978 Untitles film Still with the reflection of Jenny Holzer’s work at Sprüth Mager. Sherman’s work was sold for undisclosed price = a lot of money.
 
 

Jota Castro “Buscando Americas” at Gonzalez y Gonzalez, Santiago.
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Review: Maurizio Cattelan – Puppet master pulling “All” the strings

Currently on view: New York
Maurizio Cattelan: All
at Solomon R. Guggenheim Museum
4 November 2011 – 22 January 2012


Maurizio Cattelan “All” (2011) Installation view. Photo by M-KOS

On the pay-what-you-wish evening we visited Guggenheim Museum, a long queue of people coiled around the block before flocking in to see Maurizio Cattelan’s current retrospective “All”. Precisely 128 works were hung from a ring at the top of the central rotunda, ranging from veristic wax figures, taxidermy animals, witty photographs, paintings and sculptures, spanning the breadth of Cattelan’s productions over the last 20 years. Instead of a predictably chronological order, the works were randomly placed, in an untidy but well mastered balancing act. The Italian artist literally turned the notion of a museum exhibition on its head, bypassing the use of the institution’s cloistered display areas to transform his retrospective into an expansive site-specific installation.
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Review: Richard Serra “Junction/Cycle”

Currently on View: New York
Richard Serra “Junction/Cycle”
at Gagosian Gallery, W 24th Street
14 September – 26 November 2011


Richard Serra: Junction / Cycle. Installation view. Courtesy of Gagosian Gallery. Photo by Rob McKeever.

“I consider space to be a material. The articulation of space
has come to take precedence over other concerns. I attempt to
use sculptural form to make space distinct.”
– Richard Serra

Richard Serra has filled Gagosian’s 2500 square foot New York Gallery with two recent monumental works for his current show “Junction/Cycle”. Both “Junction” (2011) and “Cycle” (2010) are winding compositions of 13 foot tall curved and leaning slabs of weatherproof steel. Together, they transform the vast gallery into a maze of corridors, hidden clearings and unexpected exits.
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“Bye Bye Kitty” at Japan Society, New York

Currently on view: New York
Bye Bye Kitty!!!
Between Heaven and Hell in Contemporary Japanese Art
at Japan Society
18 March – 12 June 2011

[Press Release]

Curated by David Elliott, founding Director of the Mori Art Museum, Bye Bye Kitty!!! is a radical departure from recent Japanese exhibitions. Moving far beyond the stereotypes of kawaii and otaku culture, Japan Society’s show features sixteen emerging and mid-career artists whose paintings, objects, photographs, videos, and installations meld traditional styles with challenging visions of Japan’s troubled present and uncertain future. Each of the three sections, “Critical Memory,” “Threatened Nature,” and “Unquiet Dream,” not only offers a feast for the senses but also demolishes our preconceptions about contemporary Japan and its art.

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Review: Hiraki Sawa “O

Currently on view: New York
James Cohan Gallery
533 West 26th Street New York NY 10001
17 February – 26 March 2011

caption= “O, 2009 (installation view, 6th Asia Pacific Triennial of Contemporary Art) dimensions variable, ©Courtesy of the artist

James Cohan’s New York gallery is currently showing works by Hiraki Sawa, a solo exhibition appropriately entitled “O” (notice the italisation), which gives us an accurate indication of the topic and format of the work therein, mostly all round, turning or in a state of flux.

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