Michael Maranda “ARTFORUMx” at Artexte, Montréal

Michael_Mianda_ARTFORUMx_Artexte_April2013
Michael Maranda, ARTFORUMx, 2012. Courtesy of the artist and Arttexte

Michael Maranda
ARTFORUMx

7 February – 25 May 2013
at Artexte, Montréal

ARTFORUMx is an installation that sustains a critical re-reading of the Artforum magazine. The project makes use of a colour coding system that recalls both hard-edge modernist painting and the quantitative methods employed in sociological analysis. The colours in ARTFORUMx reveal the number and size of advertisements placed in the magazine from June 1962 to the summer 2010 issue. Five summary volumes accompany the exhibition, in addition to a series of watercolours.
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“Postscript: Writing After Conceptual Art” at Museum of Contemporary Art Denver


Erica Baum. Examined, 2009. Archival pigment print from the Dog Ear series, 9 x 9 inches. Courtesy the artist and Bureau, New York.

Postscript: Writing After Conceptual Art
12 October 2012 – 3 February 2013
at Museum of Contemporary Art Denver

Artists: Mark Amerika & Chad Mossholder, Carl Andre, Fiona Banner, Erica Baum, Derek Beaulieu, Caroline Bergvall, Jen Bervin, Jimbo Blachly & Lytle Shaw, Christian Bök, Marcel Broodthaers, Pavel Büchler, Luis Camnitzer, Ricardo Cuevas, Tim Davis & Robert Fitterman, Monica de la Torre, Craig Dworkin, Tim Etchells, Ryan Gander, Michelle Gay, Kenneth Goldsmith, Dan Graham, Alexandra Grant, James Hoff, Seth Kim-Cohen, Sol LeWitt, Glenn Ligon, Tan Lin, Gareth Long, Michael Maranda, Helen Mirra, Jonathan Monk, Simon Morris, João Onofre, Michalis Pichler, Paolo Piscitelli, Vanessa Place, Kristina Lee Podesva, Seth Price, Kay Rosen, Joe Scanlan, Dexter Sinister, Frances Stark, Joel Swanson, Nick Thurston, Triple Canopy, Andy Warhol, Darren Wershler, Eric Zboya.
Curated by Nora Burnett Abrams, Andrea Andersson

Postscript: Writing After Conceptual Art features the work of over fifty artists and writers exploring the artistic possibilities of language. Presenting works from the 1960s to the present, the exhibition includes paintings, sculpture, installation, video and works on paper that raise questions about how we read, look at, hear, and process language today. A major current underlying the exhibition argues that the field of literature known as “conceptual writing” can be seen as engaging in a provocative dialogue with the field of contemporary art, producing new insights into the meaning of both literature and art. [read the full text here]
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