Papier 15 as always dedicated its art fair programme towards works exclusively made on paper, to include drawings, prints, collages, photography as well as three-dimensional paper-based objects. The annual fair opened its 8th edition between 24 and 26 April, and over the years, Papier’s reputation has risen to now feature among the top do-not-miss events on Montreal’s contemporary arts calendar. For 2015 Papier relocated to Complexe de Gaspé, which is rapidly developing into a new arts hub, housing four floors of artist studios and six artist run spaces in the hip Mile End district. The fair took over the top three floors of this 11-story building filled in natural light, to accommodate 39 galleries from across Canada. Comparatively to previous years, the somewhat leaner line-up of exhibiters did combine many regulars with first timers such as Diaz Contemporary (Toronto [TO]), Lisa Kehler Art + Projects (Winnipeg), Initial Gallery (Vancouver) and Studio 21 Fine Art (Halifax). The smaller numbers of booths were nonetheless particularly well positioned in an otherwise enormous space, circling the middle of each floor to leave a wide walkway around the window-covered external walls, for visitors to also enjoy a 360 panoramic view of La Belle Ville.
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Brooklyn/Montréal goes stateside
From October to November 2012, Montreal hosted the first installment of “Montreal/Brooklynâ€, initiating an exchange in visual art events between the two titled cities, thus capturing important media and audience attention towards the art scene of the Quebecois metropolis. In an interview with M-KOS, Montreal coordinators Claudine Khelil and Yann Pocreau mention their delight at all the positive feedback received in Montreal, but remain alert for the final chapter of the project that is yet to come, over to the state side of the border. As it is now Brooklyn’s turn to host the next part of this event, indicated by the reversed title (Brooklyn/Montreal), the categorical test for Montreal artists will be about how they are received by New Yorkers, their critics as much as their art enthusiasts. Will there be any buzz?
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