Newslinks

Gordon Matta Clark at FOOD 1972_564
Gordon Matta-Clark with camera at Food restaurant, 1972. Photo by Cosmos Andrew Sarchiapone. via Mousse

■ The second edition of Frieze New York is kicking off on 10 May. Part of this year’s project includes a tribute to artist-run spaces and initiatives that have defined and transformed the cultural and artistic history of New York City. While Frieze New York 2012 acknowledged the contribution of Fashion Moda with a presentation of John Ahearn’s work, the fair is this year organizing homage to FOOD, the legendary restaurant opened in October 1971 by Gordon Matta-Clark and Carol Goodden in collaboration with other artists.
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Art Marathon: Frieze Art Fair 2012 [Slide Show]

Galeria Fortes-Vilaca-Valeskasoares-StopMotion-2012_564
Geoffrey Farmer at Casey Kaplan 2_564
Gallery David Zwimmer Adel Adbessemed Fatalite 2011_564
Jean-Pascal-Flavien-Breathing-house-Galerie-Catherine-Bastide_564.jpg
Sadie Coles Spartacus chedwyn Giotto's Play 2004-07_564
Lisson Gallery RyanGander_564
Lisson gallery Anish Kapoor'Untitled'2012_564
Greyson Perry.The Adoration of the Cage Painters 2012-Victoria Miro_564
Victoria Miro Mariane Pomuceno Untitled 2011_564
Vilma Gold gallery KPBrehmer 'Brief'Nr 3-1968_564
Jason Rhoades Hasuer&Writh_564
'Our Parents' by Zhang Huanwhitecube_564
Gabriel Kuri 'Untitled' 2011 Kirsten Pieroth 'Inflated Dinghy' 2009 -  Galleria Franco Noero_564
BQ Berlin drawingFriedrichKunath-sculptureMatti Braunna-DirkBell_564
LongMarchspace Madeincompany from the
Long March Space- Madein company from the 'Spread
installation gallery luisa strina_564
Jessica bradley gallery#88, 2012 by Derek Sullivan_564
viewof Dependence gallery_564
Gallery Raster Michal Budny_564
viewofAltmanSiegelgallery_564
Bernardo Ortiz Gallery Casas Reigner_564
Galerie Crevecoeur-Xavier Antin_564
NONIstanbul-Gunes Terkol_564
Gallery Mendes Wood-Adriano Costa_564
Carlos-ishikawa-Ed Fornieles-Characterdate1_564
Carlos-ishikawa-Ed Fornieles-Characterdate_564
FriezeProject-Thomas Bayrle_564
friezeproject_564_EmDash
FriezeProject grizdaleartproject_564
Frieze Project grizdaleartproject1_564
4.AlanKaneandSimonPeriton_564
12.AnriSala_564
2.PeterLiversidge_564
Sculpture Park – Yayoi Kusama
7.Jean-LucMoulne_564
13.DamianOrtega_564
10.HemaliBhuta_564
9.AndreasLolis_564
Robert Gober-'Newspaper' 1993 and
Galleria Franco Noero Robert Mapplethorpe  Feet, 1975_564
gagosian.HelmuntNewton'TheAmericans
Bernheimer Gallery Annie Leibovitz - Louise Bourgeois 1997_564
WilliamEggleston-Untitled-Cheim&Reid-VictoriaMiro_564
Pace-Leefriedlander-Florida-1963_564
Pace-RobertIrwin-Untitled 1969-70_564
Nelly Nahmad Gallery- Alexander Calder 'Two Fish Tails'1975_564
Pieter Brueghel-Winter Landscape with a bird trap-De jonckheere Gallery_564

Valeska Soares, Stop Motion, 2012 at Galeria Fortes-Vilaca, São Paulo

Work by Geoffrey Farmer at Casey Kaplan, NY

Adel Adbessemed, Fatalite, 2011 at David Zwirner, NY/London

Jean Pascal Flavien, Breathing House, 2012 at Galerie Catherine Bastide, Brussels

Spartacus Chedwyn, Giotto's Play, 2004-07 at Sadie Coles HQ, London

Works by Ryan Gander at Lisson Gallery

Anish Kapoor, Untitled, 2012 at Lisson Gallery, London

Greyson Perry, The Adoration of the Cage Painters, 2012 at Victoria Miro, London

Mariane Pomuceno Untitled, 2011at Victoria Miro, London

KP Brehmer, Brief Nr 3 1968 at Vilma Gold, London

Works by Jason Rhoades at Hauser & Wirth

Zhang Huan, Our Parents at White Cube, London

Gabriel Kuri,Untitled, 2011(back); Kirsten Pieroth, Inflated Dinghy, 2009 (front) at Galleria Franco Noero, Torino

Works by Friedrich Kunath (left) and Matti Braunna at BQ Berlin

Installation view from the play series by MadeIn Company at Long March Space, Beijing

MadeIn Company, from the Spread series (detail) 2009 at Long March Space, Beijing

Installation view at Galeria Luisa Strina, São Paulo

Focus: Derek Sullivan, #88, 2012 at Jessica Bradley Art + Projects, Toronto

Focus: Installation view at dépendance gallery, Brussels

Focus: Works by Michal Budny at Raster, Warsaw

Focus: Installation view at Altman Siegel Gallery, San Francisco

Focus: Work by Bernaldo Ortiz at Gallery Casas Reigner, Bogotá

Frame: Works by Xavier Antin at Galerie Crèvecoeur, Paris

Frame: Works by Gnes Terkol at NON, Istanbul

Frame: Adriano Cost, installation view at Mendes Wood, São Paulo

Frame: Ed Fornieles, Characterdate, 2012 at Carlos/Ishikawa Gallery, London

Frame: Ed Fornieles, Characterdate, 2012 at Carlos/Ishikawa Gallery, London

Frieze Projects: Thomas Bayrle, installation view in the entrance corridor at the fair. 2012

Frieze Projects: Emdash Award Winner Cecil B Evans, installation view. 2012

Frieze Projects: installation view, Grizdale Art Project

Frieze Projects: installation view, Grizdale Art Project

Sculpture Park: Alan Kane and Simon Periton, Eight Fculptures, 2012. Ancient & Modern, London; Sadie Coles HQ, London

Sculpture Park: Anri Sala, Clocked Perspective, 2012. Hauser & Wirth

Sculpture Park: Peter Liversidge, Everything is Connected, 2012. Ingleby Gallery, Edinburgh

Sculpture Park: Yayoi Kusama, Flowers That Bloom Tomorrow, 2011. Victoria Miro, London

Sculpture Park: Jean-Luc Moulene, Body Versus Twizy, 2011. Galerie Chantal Crousel, Paris; Collection Renault, France

Sculpture Park: Damian Ortega, Through/True Stone, 2012. White Cube, London

Sculpture Park: Hemali Bhuta, Speed Breakers, 2012. Project 88, Mumbai

Sculpture Park: Andrea Lolis, 21st Century Relics (composition in 7 parts), 2012. The Breeder. Athens

Frieze Masters: Robert Gober Newspaper, 1993; Red Shoe, 1990, Anthony Meier Fine Art, San Francisco

Frieze Masters: Robert Mapplethorpe, Feet, 1975 at Galleria Franco Noero, Torino

Frieze Masters: Richard Avedon, The Americans at Gagosian Gallery

Frieze Masters: Annie Leibovitz, Louise Bourgeois,1997 at Bernheimer Gallery, Munich

Frieze Masters: William Eggleston, Untitled (Cowboy Painting On The Door), 2012 at Cheim&Reid, LA; Victoria Miro, London

Frieze Masters: Lee Friedlander, Florida, 1963 at Pace Gallery

Frieze Masters: Robert Irwin, Untitled, 1969–70 at Pace Gallery

Frieze Masters: Alexander Calder, Two Fish Tails, 1975 at Helly Nahmad Gallery, London

Frieze Masters: Pieter Brueghel, Winter Landscape with a Bird Tra at De Jonckheere Gallery, Paris

All photos by Marie Roux

Frieze Art Fair 2012 report: From blind dates to inspiring masters


Frieze Project – Thomas Bayle’s work covering the fair’s entire entrance corridor. Photo by Marie Roux

Text by Marie Roux

The 10th edition of Frieze art fair closed its doors on Sunday night, comprising this year of two tents on opposite side of Regent’s Park.

Frieze 2012 gathered 175 galleries from 35 countries surrounded by outside artworks selected this year by Yorkshire Sculpture Park director Clare Lilley. Frieze Masters showcased 79 galleries with works ranging from antiquity, Renaissance masters through to 20th century art. The veritable feast for the eyes offered an escape from the frenzy of the contemporary art tent across the park.
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Frieze Art Fair celebrates 10th anniversary


Frieze Art Fair 2011. Photo by Linda Nylind. © Linda Nylind/Frieze

This year’s Frieze Art Fair London celebrates its 10th anniversary, with a ceremony already marked by the launch of Frieze New York in May earlier this year. This week begins another sibling event with Frieze Masters making its debut. Frieze Masters is dedicated to art ranging from antiquity to 20th century masters presented by over 100 galleries from 18 different countries (79 in the main section & 22 in the Spotlight section, committed to solo 20th century artist presentations). “Frieze Masters will attract the world’s most adventurous and imaginative art collectors to London”, says Nicholas Penny, Director of the National Gallery. “The fair is designed to revolutionise the relationship between ancient and modern, old and new” Frieze Masters also stocks a brilliant line up of talks, matching Cecily Brown with Nicholas Penny, Luc Tuymans with Dominique de Font-Réaulx, senior curator of Musée de Louvre and Glenn Brown with Bice Curiger, curator of Kunsthaus Zürich & editor-in-chief of Parkett magazine. Frieze Masters is flanking Frieze London on its north side, next to the London Zoo. The 12,500 square metre temporary architecture is setup by Selldorf Architect, renowned for designing art spaces whose clients include galleries such as David Zwirner, Barbara Gladstone as well as studios for Jeff Koons and David Salle.
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Newslinks

Toronto’s Power Plant is currently presenting Continuous Coverage, an exhibition by Berlin based Israeli artist Omer Fast showing three of his most significant projects spanning the last decade: CNN Concatenated (2002), 5,000 Feet is the Best (2011) and Continuity (2012). Canadian Art mag talked to the artist during his visit in Toronto.
 


David Roberts Art Foundation – one of London’s top private collection-based foundations – relocated from the increasingly buzzing area of Fitzrovia to more spacious accommodations in Mornington Crescent, Camden inaugurating with the exhibition The House of Leaves. Lorena Muõz-Alonso asks the curator Vincent Honoré (part 1 & 2) about DRAF’s new move and future vision.
 


Hugues Charbonneau, former front man of Galerie Division in Montreal has opened his own space in the Belgo gallery complex building (Espace 308, 372 Ste-Catherine, Montreal) with its inaugurating show by painter Jean-Paul Pouliot. huguescharbonneau.com
 
 
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Art Marathon: Frieze New York, Part 1

As the yellow taxi boat approached Randall’s Island northwards on East River which runs between Manhattan and Queens, a long white structure makes an appearance, yet unwilling to disclose its content until landing on the seemingly deserted island. Once docked, scores of smartly clad art lovers tread off the taxi boat and into the snaky tent designed by Brooklyn based architect duo SO-IL, but not before walking through a waterside sculpture garden comprising works from James Angus, Joshua Callaghan, Louise Bourgeois, Ernesto Neto, Ryan Gander and so on.


View from the Frieze boat approaching towards Randall’s Island

Adjacent to the venue’s south entrance stands “Shoe Tree” by Swiss artist Christoph Büchel, possibly in support of Occupy movement’s protest rally underway just outside Frieze’s official $20 per vehicle parking lot. Büchel participated in the sculpture garden by placing shopping trolleys stuffed with newspapers and plastic bags behind Subodh Gupta’s bronze stature “Et tu, Duchamp?” Büchel actually bought the trolleys from homeless people for $350–500 a piece. Without any indication of artistic intent (we later found out these are entitled “1%”), Bëchel’s piece of quiet resistance will be remembered as one of the most provocative works in the fair, even before entering the main event venue. In addition to the sculpture park, other exterior Frieze projects included Ulla von Brandenburg’s colourful tent for shadow play, Joel Kyack’s carnavalesque van, themed: “Most games are lost, not won”, Uri Aran’s performance shack and many more.
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Newslinks

Art market
One of four versions of Edvard Munch’s masterpiece The Scream, (pastel, 1895) fetched $119,9M (Sale price $107M + the buyer’s premium) at Sotheby’s New York on 2 May, a record for auction history. The sale was dominated by two telephone bidders, over a tense ten minutes period. Sotherby’s auctioneer Tobias Meyer was caught exclaiming “I love you!” to one phone bidder when prices soared up to $106M. You can watch an excerpt here. We are all curious to know who won the bidding match for the most expensive artwork ever sold at auction. Petter Olsen, the seller of the painting personally hoped the bidding winner to be MoMA NY…
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Frieze New York, here it comes!

Frieze enterprise co-founder Amanda Sharp was enquired a few of years ago by the press, with: “What distinguishes the Frieze from any other art fair?” her straight and simple answer said it all: “It’s Cutting-Edge, [stupid]”. The British born and bred art fair is this year already celebrating its 10th anniversary edition, starting in 2003 as an offspring of Frieze magazine, also published by Sharp and co-founder Matthew Slotover. The fair’s accelerated success briskly grew into one of the most important art events on the global calendar, contending with Art Basel and Armory. In less than a week’s time, the very first edition of Frieze New York (FNY) will cut its inaugural ribbon on Randall’s Island to roll in the four-day art extravaganza. Some news sources have so far depicted Frieze New York as another ‘British invasion’, a tale supported by Sharp and Slotover’s recent OBE (Officers of the Order of British Empire) appointment by the Queen, at the very start of 2012. The real question is: How will Frieze shake up New York’s existing art establishment?
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