Elena Bajo “The Absence of Work” at D+T Project Gallery, Brussels

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Elena Bajo, The Absence of Work, 25 gradient prints, 2012. Courtesy D+T Project Gallery, Brussels

Elena Bajo
The Absence of Work

4 April – 17 May 2014
at D+T Project Gallery, Brussels

Doing nothing takes time, and is a work in itself. For eponymous exhibitions in Basel and Munich in 2012, Elena Bajo printed with a hand press a series of posters that read The Absence of Work, pulling impressions until ink faded and the text completely disappeared. It took twenty-five impressions to go from full ink to no ink.

Her inspirations come from different horizons. A line in John Cage’s An Anarchist Poem declares: “work is now obsolete”. The line recalls the words, embodying the philosophy of the Situationists, that Guy Debord inscribed on a wall in the Rue de Seine in Paris in 1953: “NE TRAVAILLEZ JAMAIS” – never work. Work, social and political dimensions of everyday spaces, strategies for conceptualizing resistance, the poetics of ideologies, and the relationship between temporalities and subjectivities have long been at the forefront of Bajo’s art. Together with Rirkrit Tiravanija – who also seized upon the Situationist slogan and has employed it repeatedly in his own practice – Elena Bajo calls up to ask what forms it is possible for art to take and what the relevance of art is to contemporary society. Continue reading “Elena Bajo “The Absence of Work” at D+T Project Gallery, Brussels”

HeHe: Anthroposphere at Aeroplastics contemporary, Brussels

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HeHe, Nuage vert, Saint-Ouen, 2009. Inkjet print on dibond. 120 x 120 cm. Ed. of 3. Courtesy of Aeroplastics contemporary, Brussels

HeHe
Anthroposphere

16 January – 15 March 2014
at Aeroplastics contemporary, Brussels

The duo HeHe (Helen Evans, 1972 and Heiko Hansen, 1970) personifies a new generation of artists who create a link between the sphere of technological/digital art (too self-referential, and frequented solely by the initiated), and that of contemporary art (reluctant to accept new modes of expression based on subverting new informational/communicational technologies). Each of these spheres has developed its distinct circuits of communication and ‘diffusion’, and common points of contact between the two remain rare. Continue reading “HeHe: Anthroposphere at Aeroplastics contemporary, Brussels”

Nicolás Lamas “Reference Points” at Meessen De Clercq, Brussels

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Nicolás Lamas, Ball, 2013 Rubber and felt. Courtesy the artist and Meessen De Clercq, Brussels

Nicolás Lamas
Reference Points

8 November – 7 December 2013
at Meessen De Clercq, Brussels

Shown for the first time in a solo exhibition in Europe, Nicolás LAMAS (b.1980) occupies the first floor of the gallery. The work of the young Peruvian artist based in Belgium is based on a process reflection about space, time, culture and science. Exploring different scientific fields such as astronomy or physics, Lamas formalizes his questioning using various media, playing on codes of monstration, comparing objects which seem a priori to be opposites, to elicit meaning and drama. This investigation, sometimes taken to absurd lengths, undermines measurement systems that govern our daily lives and literally challenges the exhibition space. Continue reading “Nicolás Lamas “Reference Points” at Meessen De Clercq, Brussels”

Film as Sculpture at WIELS, Brussels

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Rosa Barba, Boundaries of Consumption, 2012. 2 × metal globes, 16 mm projector, 16 mm film loop, film canisters. Courtesy of the artist.

Film as Sculpture
6 June – 18 August 2013
at WIELS, Brussels

Artists: Rosa Barba, Zbyněk Baladrán & Jiří Kovanda, Ulla von Brandenburg, João Maria Gusmão & Pedro Paiva, Rachel Harrison, Žilvinas Kempinas, Elad Lassry, Karthik Pandian and Bojan Šarčević

Curator: Elena Filipovic

Film as Sculpture looks at a new generation of artists and the ‘problem’ that a number of them seem to be insistently grappling with: how to create works that either sit between or somehow address two seemingly contradictory mediums: one of art history’s most classical forms, sculpture, and its apparent opposite, film (or video). Continue reading “Film as Sculpture at WIELS, Brussels”

Cally Spooner “Carol, I Think My Place In History Is Assured” at MOT International, Brussels

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Cally Spooner, Collapsing in Parts, 2011–2012. novellia, published by Mousse, Milan and International Project Space, Birmingham, 2013. Courtesy the artist and MOT International, London/Brussels

Cally Spooner
Carol, I Think My Place In History Is Assured

7 June – 13 July 2013
at MOT International, Brussels

‘Pat!’ bellows Harry. ‘C’mon in. Have a chair, have a cigar, have anything you want but don’t touch the table.’ He indicates a coffee table. ‘It’s worth a fucking fortune and I know what you’re like with your little accidents.’
The Screenwriter nervously skirts the table, taking care to sit in an immovable armchair. The chair is wide and low backed and the Screenwriter has no idea how to sit in it with assurance. Eventually, he settles on the very edge, which he knows made him look weak, though this is better than lazy, because Harry hates lazy fuckers, and the Screenwriter is not, he hopes, lazy.
‘Pat’ shouts Harry, ‘you’re fucking lazy.’ Continue reading “Cally Spooner “Carol, I Think My Place In History Is Assured” at MOT International, Brussels”

Tauba Auerbach “Tetrachromat” at WIELS, Brussels

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Tauba Auerbach: RGB Colorspace Atlas Volume 3, 2011. Digital offset printing on mohawk superfine paper, 3200 pages, linen, binder’s board, acrylic paint. Edition of 3. 20.3 x 20.3 x 20.3 cm (closed). Binding: Daniel E. Kelm and Leah H. Purcell at the Wide Awake Garage in Easthampton, Massachusetts. Courtesy of the artist. Photo: Vegard Kleven.

Tauba Auerbach
Tetrachromat

22 March – 2 June 2013
at WIELS, Brussels

Tauba Auerbach is considered one of the most innovative painters of our time. Her work collapses traditional distinctions between image, dimensionality and content. Surface and the larger issues surrounding topology have been central concerns in her recent paintings, drawings, photographs and artist books.
Continue reading “Tauba Auerbach “Tetrachromat” at WIELS, Brussels”