Opportunities: Call for Entries for the 19th Japan Media Arts Festival

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Hedwig HEINSMAN / Niki SMIT / Simon van der LINDEN, 3RD, 2014. Interactive Installation. Image from the 18th Japan Media Arts Festival (Entertainment Division, Excellence Award) Courtesy the artists and Japan Media Arts Festival

CALL FOR ENTRIES:
19TH JAPAN MEDIA ARTS FESTIVAL

Deadline: 9 September 2015 (18:00 Japan Standard Time)

The Japan Media Arts Festival is a comprehensive festival of Media Arts (Media Geijutsu) that honors outstanding works from a diverse range of media – from animation and comics to media art and games. The festival gives awards in each of its four divisions: Art, Entertainment, Animation, and Manga. Since its inception in 1997, the festival has recognized significant works of high artistry and creativity, and in addition to a yearly Exhibition of Award-winning Works has held other events, such as symposiums, screenings, and showcases.

Entries are sought from professional, amateur, independent and commercial creators across the globe. Works completed or released between September 3, 2014 and September 9, 2015 are eligible for entry in the four divisions – Art, Entertainment, Animation and Manga.
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Opportunities: Call for Entries for the 18th Japan Media Arts Festival

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The 17th Japan Media Arts Festival Art Division Grand Prize: Carsten Nicolai, crt mgn, 2013. ©2013 Carsten Nicolai. All Rights reserved Photo: Uwe Walter Courtesy Galerie EIGEN + ART Leipzig / Berlin and The Pace Gallery

Call for Entries:
18th Japan Media Arts Festival

Deadline: 2 September 2014 (18:00 Japan Standard Time)

The Japan Media Arts Festival is a comprehensive festival of Media Arts (Media Geijutsu) that honors outstanding works from a diverse range of media – from animation and comics to media art and games. The festival gives awards in each of its four divisions: Art, Entertainment, Animation, and Manga. It also provides a platform for appreciation of the award-winning and other notable works. Since its inception in 1997, the festival has recognized significant works of high artistry and creativity, and in addition to a yearly Exhibition of Award-winning Works has held other events, such as symposiums, screenings, and showcases. Last year, the 17th Festival received a record 4,347 entries from 84 countries and regions around the world, demonstrating its continuing evolution as an established annual international festival. Award-winning works are exhibited both within Japan and abroad through various projects and events organized by The Agency of Cultural Affairs which aims to promote the creation, development and understanding/awareness/appreciation of Media Arts. Continue reading “Opportunities: Call for Entries for the 18th Japan Media Arts Festival”

Summertime in Japan: Echigo-Tsumari Satoyama Museum of Contemporary Art [KINARE]

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Elmgreen & Dragset, Powerless Structures, Fig 429, 2012. Courtesy Echigo-Tsumari Satoyama Museum of Contemporary Art [KINARE] Photo by M-KOS

For the summer season, M-KOS has taken temporary residence in Tokyo, Japan. During our stay, we will report on the local art scene whenever possible, not only for events going on in the capital but in different parts of the country as well. For starters, we have recently visited the Echigo-Tsumari region’s Satoyama Museum of Contemporary Art [KINARE] in the city of Tokamachi, about two hours north-west of Tokyo by bullet train.

Originally built as a cultural exchange centre in 2003, KINARE was recently refurbished as a museum, inaugurated in 2012 to mark the 5th edition of the Echigo-Tsumari Art Triennale, the most ambitious event by Echigo-Tsumari Art Field, a local cultural development project themed around the symbiosis of nature, humans and artistic practice. Continue reading “Summertime in Japan: Echigo-Tsumari Satoyama Museum of Contemporary Art [KINARE]”

Focus: Japan part III

Can contemporary art in Japan transcend its Galápagos Syndrome

M-KOS sends sincere commiserations to all the people affected by the 2011 Great East Japan Earthquake.

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Tabaimo “teleco-soup” (2011) Installation view at Japanese Pavillion, the 54th Venice Biennale. Courtesy of the artist, Gallery Koyanagi, Tokyo and James Cohan Gallery in New York

At the 54th Venice Biennale, the Japanese pavilion is presenting Tabaimo, a 36-years-old Japanese artist who’s work is renown for uncanny and hypnotic animations of manga and ‘anime’ inspired Ukiyo-esque imagery. Her installation entitled “teleco-soup” is a circular piece surrounding the viewer from floor to ceiling, with moving images of Japanese towns and flowing water. In its centre, the installation features a well-shaped circle also projected onto with similar animations. “teleco-soup” evokes an inside-out inversion between water and sky, fluid and container, self and the world, a term developed from the original concept of “Transcending Galápagos Syndrome” initiated by this year’s Japanese commissioner, Yuka Uematsu. Tabaimo refers further to the proverb “A frog in a well cannot conceive of the ocean”, attributed to Chinese philosopher Zhuangzi, and adds this to the Japanese expression “But it knows the height of the sky”, as a lateral way to speak about her work. The latter articulates an outward manifestation of Tabaimo’s introspective gaze, and by extension, reflects on Japan’s island state of mind, isolationist in nature, and its multiple-century era of seclusion from all foreign contacts*.
Continue reading “Focus: Japan part III”

Focus: Japan part II

An Uncertain Future- Art after the Great East Japan Earthquake

M-KOS sends sincere commiserations to all the people affected by the 2011 Great East Japan Earthquake.

Art charity event organized by Artists’ Action for Japan in Ibaraki prefecture, May 2011. Courtesy of Artists’ Action For Japan

The art scene in Japan has been changing dramatically since the recent chain of catastrophic events – the Great East Japan Earthquake, tsunami and Fukushima 1 nuclear power plant meltdown – which filled news networks around the world. These particularly devastated the Tohoku area, the seacoast areas of Iwate, Miyagi, and Fukushima prefectures. According to the Agency for Cultural Affairs, five national heritage sites were affected, such as the Zuigan-ji Temple in the Miyagi Prefecture, as well as damaging 143 important cultural properties. The well-known Rokkakudō temple, a hexagonal wooden retreat constructed in 1905 was swept off in the gigantic tsunami that occurred in the Izura coast, in the Ibaraki prefecture. This small yet historical architecture was constructed by Tenshin Okakura (1863-1913), a key contributor to the development of the arts in Japan. Responsible for the conservation of this temple, Ibaraki University has set up funds for reconstructing a new Rokkakudō. They have already started collecting building materials left ashore by the sea. The university states: ‘we are convinced that Restoration of Rokkakudo would be a symbol of revival from the earthquake and tsunami’.
Continue reading “Focus: Japan part II”

Focus: Japan part I

Contemporary art in Japan – new challenges in the land of the rising sun

M-KOS sends sincere commiserations to all the people affected by the 2011 Great East Japan Earthquake.

Nobuyoshi Araki “Koki No Shashin (Photographs of A Seventy Year Old)” (2010) Courtesy of Taka Ishii Gallery via Yokohama Triennale website

Almost five months have passed since the Great East Japan Earthquake devastated the northern east coast of Japan. Still in the midst of recovery, the country is fraying with an unprecedented nuclear crisis as well as support infrastructures towards people and business affected in the disaster.

Japanese people are well known for demonstrating a strong solidarity in times of need, and the sphere of contemporary art has contributed in this relief effort. Numerous art galleries and museums organised charity auctions*, artists initiated special projects in support of refugee communities, and countless other initiatives have been recorded. Japan’s current social condition is in everyone’s mind and, needless to say, contemporary art is facing new challenges in the land of the rising sun.

Continue reading “Focus: Japan part I”